“Believe” has the chorus “Do you still believe … in me?” as opposed to saying, “This looks like a job for me.” On Revival, Em showed the cracks in his confidence - notable since he’s someone so intertwined with the culture of chest-puffing, venom-spraying battle rap that he starred in its definitive movie. Here, the world’s best-selling rapper battles the Fame Monster as he enters middle age, borrowing the earnest self-examinations sold in Macklemore’s thrift shop. Is his long, drawn-out discussion of flubbing a line on purpose on “Big Weenie” a freestyle or a written made to sound like a freestyle? Why does he turn into Arnold Schwarzenegger at the end of “Ass Like That”?Īn album so messy that Eminem surprise-released a better album addressing all the people that complained about it. The saddest thing about Encore, however, is the inability to make sense of a lot of it. Martika’s 1988 soft-pop weeper “Toy Soldiers” is turned into a song about beef ethics the well-meaning “fuck Bush” song “Mosh” is self-aggrandizing and all elbows and his war with The Source feels remarkably dated since the Nah Right era would be on us in about a year. Here, one of the greatest rappers of a generation sounds like he’s trying to make words rhyme by sheer force of will (“merry-go,” “ferris wheel,” “carousel”) or just filling up space with funky nonsense (“Or suck a dick, and lick a dick, and eat a dick, and stick a dick in your mouth”). Encore’s most inadvisable choices include talking like Rain Man, making a chorus “poo poo caca” in an English accent, puke noises, fart noises, shit noises, Pee-Wee Herman laughs, and, most famously, a whole song rapped as Triumph The Insult Comic Dog. He was also addicted to pills, which partially explains this cornucopia of “hickory dickory Dirk Diggler” decisions.
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And why would anyone tell Eminem no in 2004? By then, he was a movie star, a critic’s darling, a label owner who launched 50 Cent, and an Academy Award winner. In honor of the long, strange, 20-year trip since this manic, motormouthed bruise-poker first asked if we liked violence, here’s Eminem’s albums ranked from worst to best.Įncore is a rambling disaster, sounding like the untethered impulses of someone who hasn’t been told “no” in a half decade. He sold 11 million copies of an album that has a skit where the Insane Clown Posse suck a dick.
He’s got more Oscars than Tom Cruise, Joaquin Phoenix, and Edward Norton combined. His first Top 10 single had him complaining about boy bands, and his latest has him complaining about mumble rap. The word “Stan” is in the dictionary (though, to be fair, give some credit to Nas for formalizing its use as a noun). He’s been protested by GLAAD and embraced by Elton John. He’s been praised by Kanye West, Drake and Kendrick Lamar, and caught the ire of Michael Jackson and Lynne Cheney. and used as DNC pump-up music by Barack Obama (who also kept Em on his iPod). Bush’s secret service, dissed on Twitter by Donald Trump Jr. He’s a rap purist and a pop star, managing #1 Billboard Hot 100 hits that don’t shy from mention of things like Kool Keith and fromunda cheese. He’s been called one of the greatest rappers of all time by Jay-Z and music for people who “drink way too much Mountain Dew” by Earl Sweatshirt. So without further ado, here's our ranking Eminem album catalog: these are the 10 best Eminem albums.Verbally gifted, painfully self-aware, deliriously problematic - there’s really nothing like the last two decades of Eminem, the blonde swordsman. His artistic millieu, in many ways, is that of the album, even if he arose in the internet era that has done so much to lessen the importance of the form. His career has also taken a more complicated shape than its initial arc implied.Įminem is one of the few rappers still releasing new music who can motivate large numbers of the public to buy his records. Spanning 17 years and 15 releases, his songs and albums have more unexplored nooks and crannies than most casual fans realize. Revisiting Em's rap repertoire for this project has been an eye-opening experience. After all, this is Marshall Mathers, the guy who invented the term "Stan." Suffice it to say, you find out quickly talking to Em fans-and who in hip-hop does this not describe, really?-that your take really is one of many. And just because you think you've got a handle on Em's story doesn't mean there isn't a very popular alternate perception. When an artist's work becomes as popular and ubiquitous as Eminem's has, there are going to be many, many interpretations of that work. This level of success has, understandably, had a distorting effect on how the Dre protege's music is perceived. Internationally, that number is up around 100 million. Eminem has sold 49.1 million records domestically.
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